The jobbing actor remembered for all time as a British spy chief
As jobbing writers we can never rely on our work to feed us. So we must have an alternative source of income. In other words, a day job. Some like myself are retired from the workforce. Therefore I am able to fully concentrate on my writing, be it another novel, or in this instance writing blog posts. Do I receive large amounts of money for all my hard work? No! Thank goodness for my small state pension…
When it comes to jobbing actors, they are those familiar faces we all recognise, even if we cannot immediately recall their names, that appear in movies, on stage, and in radio or television programs from time to time. Like us they love what they do despite being poorly paid. Like us they must still pay the bills. So like us they also need an alternative income. To keep the wolf from the door, many of them collect unemployment benefit between acting jobs.
The British jobbing actor usually cast as the quintessential villain
Like us they would love to break into the big time. But in their business, unless you are a member of an acting dynasty like the Fox family, or perhaps the Redgraves, because of their looks the jobbing actor will only ever be considered for supporting roles, seldom the lead (see the above examples – Robert Brown and Ray Winstone). In other words once seen by casting directors, they are typecast forevermore, destined to remain a jobbing actor until the day they die with no substantial regular monthly income to rely upon.
Whereas, can you ever imagine the likes of Bill Nighy (pictured above) in a supporting role as a spymaster or a villain? Just look at him! Quite simply his face dictates that he is not suitable for bit parts, thank you very much! He is much more likely to be successfully cast as a cad, bounder, lover or perhaps a dithering academic, whether on stage, screen, radio or television. Unlike the other two, for him the list is seemingly endless.
Why do I say kindred spirits? Think about it for a moment. We’re both dependant on fate. As writers we are responsible for coming up with the right set of words. Once strung together, if they prove acceptable as a new work of fiction worthy of adaptation into a screen, television, radio or stage play, the jobbing actor interprets them for the viewing and listening audiences. In both cases we work our backsides off for very little gain. In both cases we are what being actors and writers is all about – hard graft!
Whether either discipline realises it or not, we are connected to one another. I would go further – in both camps, the notion that what I say is a fact, simply does not arise in polite conversation! It should…
So the next time you think you must be mad to want to write, know that you aren’t alone in your addiction. There are quite literally millions of jobbing writers like you and I. Equally, there are thousands of jobbing actors like Ray and Robert too, particularly in stage plays and on television and radio. Both of our occupations are addictive and often fraught with disappointments.
Not to worry, even though both disciplines are to say the least, financially precarious – occasionally the sun does actually shine on one or two of us. I’m patiently waiting for when its my turn…