Pseudo-experts and other lunatics

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Here’s another post about some of the sharks waiting to pounce on the unwary writer…

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As a published writer, sooner or later you will encounter one or more of the following!

Once you have published a book or books, it is inevitable that you will attract the attention of individuals with a doctorate obtained via the internet specializing in incomprehensibly stupid!

The day when Amazon opened the can of worms by giving everyone and their dog the privilege of being able to offer their opinion on your work on their sites worldwide, was the day the age of the internet troll and other non-entities was born.

Today, not only Indie writers, but also traditionally published ones find themselves on the receiving end of what can only be described as complete hokum by pseudo-experts. For the latter its bad enough that their editors are imposing their often misguided personal opinions on how a book should be written, often to the detriment of the story, instead of sticking to correcting grammar and punctuation. But now all writers are endlessly being bombarded by totally baffling comments by some other published writers, who quite frankly should know better than to openly criticise someone elses work in public.

What you and they have to realise is that they are expert in only one thing – destroying their own reputation just for the sake of pouring scorn on a fellow writer’s work. Not everyone can write a story worthy of being read, let alone be published. Which is why so many who entertained the idea of fame and fortune by writing the definitive novel of the age fail and soon resurface as literary experts and critics. Or worse, offer their services as editors, always for a fee of course!!!

What none of them are willing to accept is that first of all your story is yours not theirs. Secondly, who better than you to know its ins and outs, plot and counter plot?

If you are lucky, people will find it among the millions of books on offer and read it. Some will like it. Others not, so they do their damnedest to convince the public to stay away, which begs the question why? In the case of failed writers, it has to be that they are quite literally green with envy. More than likely, they’re angry that they didn’t come up with the best seller first. What other reason could there possibly be for all the bile and invective showered on successful writers that we see on most social media sites on a daily basis?

What about what the literary snobs, pedants, anal retentives, pretentious poseurs, grammar nazis and other self-important armchair critics who inhabit the internet these days say? If you will take some advice from an old campaigner – JUST LIKE THE TROLLS, IGNORE THEM ALL LIKE THE PLAGUE!!!

Having read this, you will now know that I have zero tolerance for any of the above types. Guess what, neither have any of my published writing colleagues either…

😉

Pseudo-experts and other lunatics

quote-4-open-mind

As a published writer, sooner or later you will encounter one or more of the following!

~~~

Once you have published a book or books, it is inevitable that you will attract the attention of individuals with a doctorate in incomprehensibly stupid! When Amazon opened the can of worms by giving everyone and their dog the privilege of being able to offer their opinion on your work on their sites worldwide, was the day the age of the internet troll and other non-entities was born.

Today, not only Indie writers, but also traditionally published ones find themselves on the receiving end of what can only be described as pseudo-expertise. For the latter its bad enough that their editors are imposing their often misguided personal opinions on how a book should be written, often to the detriment of the story, instead of sticking to correcting grammar and punctuation. But now all writers are endlessly being bombarded by totally baffling comments by some other published writers, who quite frankly should know better than to openly criticise someone elses work in public. What you and they have to realise is that they are expert in only one thing – destroying their own reputation just for the sake of pouring scorn on a colleagues work. Not everyone can write a story worthy of being read, let alone be published. Which is why so many who entertained the idea of fame and fortune by writing the definitive novel of the age fail and soon resurface as literary experts and critics. Or worse, offer their services as editors, always for a fee of course!!!

What none are willing to accept is that first of all your story is yours not theirs. Secondly, who better than you knows its ins and outs, plot and counter plot?

If you are lucky, people find it among the millions of books on offer and read it. Some will like it. Others not, so they do their damnedest to convince the public to stay away, which begs the question why? In the case of failed writers, it has to be that they’re green with envy. Or more than likely, they’re angry that they didn’t come up with it first. What other reason(s) could there possibly be?

What about the literary snobs, pedants, anal retentives, pretentious poseurs, grammar nazis and other self-important armchair critics who inhabit the internet these days? If you will take some advice from an old campaigner – LIKE THE TROLLS, IGNORE THEM ALL LIKE THE PLAGUE!!!

Having read this, you will now know that I have zero tolerance for any of the above. Guess what, neither have any of my published writing colleagues either…

Happy New Year.

😉

It’s Research Time Once Again

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Michelangelo Merisi da Caravaggio (1571-1610)

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I’ve just finished editing my old mate Derek Haines’ dystopian WIP, at the moment entitled God’s Gone Fishing, yesterday (Friday 18th March). Now at last I can turn all of my attention to beginning my research into the man pictured above, starting today with Desmond Seward’s book, Caravaggio – A Passionate Life.

For a long time now, (decades in fact) I’ve wanted to write a fiction loosely based on his relatively short, often violent, life. For anyone who has absolutely no clue whatsoever about him, let me just say that as far as I’m concerned Caravaggio was one of the most brilliant artists of his age, when he wasn’t being accused of murdering someone, thanks to his fiery temperament. Or spending time under lock and key, as he did when he got into trouble on the fortress island of Malta.

Extensive research on my part is absolutely necessary to do justice to the story. I need to glean all the known facts and fallacies about Caravaggio for the crib sheets I will need for background detail.

Here are just two of the fifty original works (not including versions he painted) that quiet clearly demonstrate his talent to anyone with an appreciation for fine art at its zenith:

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The Calling of Saint Matthew

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Judith Beheading Holofernes

Wish me luck. I’m going to need it! Why? To keep the anal retentives and other asssorted tosspots out there from attacking the end product if I get anything factually incorrect.

To this day, they never let me forget for one moment that in my best seller back in 2012, The Seventh Age, I misspelt the name of Gobekli Tepe, a neolithic site still being excavated by archaeologists to this day in South Eastern Anatolia (Turkey). To hear them complain, anyone would think that the world had ended because of one honest spelling mistake on my part. Did I ever go back to correct it? Hell no. Never acknowledge any mistake you make on Amazon, unless you have a death wish!!!

See what all you aspiring writers out there have to look forward to… 😉

With all the months of reading/research ahead of me, I can’t see myself writing word one this year, let alone whether or not the end product will prove good enough to offer to one of the big five publishing houses. If it doesn’t come up to their exacting standards, I’ll simply publish it in Kindle form along with the ten other’s I’ve written so far…

PS – back in 2002 while on the one and only proper holiday I’ve ever had in my entire life, I actually climbed down a rickety ladder into the freezing cold underground cell Caravaggio was briefly incarcerated in on Malta.

PPS – for the less computer savvy among you, if you click on any highlighted (coloured) word on this or any other blog post of mine, you immediately gain access to pertinent information for each post. Just thought I’d mention it. One less than intelligent individual a long time ago asked me why some of the words in my posts are different colours. Needless to say they went away red faced. I don’t know about you, but I can’t stand idiots…

Calling all the so-called literary experts in the blogosphere

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Think you are experiencing de ja vu? Bear with me.

While we all know there are many individuals who profess to be experts on certain subjects, especially here in the blogosphere, the day before yesterday I decided to set a challenge for the so-called literary experts who still pounce from time to time from among my many blog followers. These particular individuals always insist that as they know everything when it comes to literature, at least according to them, that it follows they are always right. Needless to say it came as no surprise whatsoever when they failed to participate. Only one person had the decency to comment by stating that they didn’t know any of the authors listed, which was fair enough.

So ‘experts’ now its time for you all to either put up or shut up, once and for all. If none of the self styled editors, armchair critics, pedants and literary snobs who follow my blog fail to take up my challenge, you will have proven my point yet again that each and every one of you are nothing more than nonentities with highly inflated opinions of yourselves! You know who you are, so here’s your chance to prove me wrong. I offer all of you the same challenge once again.

***

What is the difference between writers and readers? Writers read in order to write while readers simply do it for pleasure. When it comes to the writer, our personal libraries differ markedly from yours, being largely filled with books we use for research. Now, stand by for a test of your knowledge of some well known leading authors. The twenty-five names I have listed below are responsible for ninety-nine percent of my reference library, each one of them is a recognised expert in their particular subject.

Robert Bauval

Graham Hancock

Michael Wood

Arthur C. Clark

Isaac Asimov

Steven O’Shea

Christopher Knight

Robert Lomas

John Man

Brian Bates

Nikolai Tolstoy

Joyce Tyldesley

Peter Unwin

Gwyn Jones

Professor Francis Pryor

Simon Young

Peter Berresford Ellis

Bernard Vassallo

Bernard Cornwell

John Lee Anderson

Immanuel Velikovsky

J.F.C. Fuller

Sarah Bartlett

Colin Wilson

Ian Shaw

~~~

You’ve seen the list, so now is the time to put your knowledge to the test. How many of you can name one non-fiction book by each of the authors listed, bearing in mind that some in the list have also produced collaborative non-fiction works. While you are thinking about your answers, and just to confuse matters, a few of them like Arthur C. Clark, Bernard Cornwell and Isaac Asimov are also known for fictional titles.

For the purposes of the exercise, search engines are out of bounds!!!

Honesty is the key. Just leave your answers as a comment below the post – author first, then title.

 The challenge has been thrown down. Will you take it up, or will you shut up?

PS – I might add that two of the prominent authors in the above list who I count among my personal friends, were not surprised in the least by the total lack of response the other day, when they read the post. All three of us await your participation, or lack of it, with interest…

😉

All Writers Crave Feedback

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When it comes to meaningful dialogue with our readers it rarely if ever happens, more’s the pity. We writers need the connection. All a review ever tells us is that the individual responsible for it either loved or hated the book in question.

Most writers like myself have a blog like this one where you can leave comments below a post, and a Facebook page where you can voice your thoughts in person on any book written by us, should you choose to do so. Or if you want, we can just chat about something else entirely. The point is that by chatting, we get to know each other, hopefully forging a lasting friendship.

Like you, every writer is plagued with the typical faults, passions and emotions that all human beings share. Some are known to hold strong views on varying subjects. Don’t let that necessarily put you off talking to any of us. We’re not ogres.

~~~

Now a word to the wise, so please pay attention!

With book sites like Amazon, we are well aware of the inevitable one star reviews, often written by other writers hiding behind pseudonyms. And so, unless you have just landed on planet Earth within the last half hour, by now you will have noticed that my latest offering is now in its second free Kindle download giveaway day.

Here’s the rub. I fully expect it to gain endless one star reviews as a consequence. That always happens when a book is given away in any promotion. To that end I would remind anyone who has taken advantage of the offer, that you did get it for nothing. Therefore if you feel the uncontrollable urge to write a cutting review of your free copy, don’t! No one likes an ungratful smart-arse. Peversity on your part will hardly endear you to others, now will it. For the majority, please feel free to write your reviews and post them on whichever Amazon site you downloaded it from.

Lastly, I’m well aware that there will be errors. All books have them. Once the promotional period is over I will take it down temporarily to search them out before uploading the corrected version.

As they say in America – have a nice day.

 😀

As a writer, sooner or later your editor will let you down!

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They’re not pefect despite what they may say…

Face it, some editors only really care about how much money you are paying them. It is not until you become a writer yourself that you not only notice the errors that editors miss in any given book, but also how many there are. I’m not just talking about incorrect spelling, but the use of totally wrong words; things like missed spaces between a fullstop (period) and the capital letter of the next sentence, as well as either a lack of punctuation or far too much of it.

Let us also remember that some editors see nothing wrong with a book’s pages becoming nothing more than solid blocks of text with no break to make it easier to read. To give you another example, some editors in cahoots with certain publishers plead the old chestnut ‘house style’ as their excuse to cover a multitude of sins, like which type of quotation marks they prefer – single, or double.

It matters little that the book you are reading was self-published, or produced by a small press or one of the traditional big five publishers. More and more these days, with each book I pick up, I’m finding errors, which any editor worth their salt should have picked up on long before it went to print. If they were threatened with the sack, or were told they would not be paid for allowing those annoying mistakes to slip by, maybe all editors would be more vigilant! Heh, a chance would be a fine thing. Or in other words, don’t hold your breath…

Before any of you reading this while professing to be an editor has an attack of apoplectic rage brought on by what I’ve just said, if you are truthful, you know deep down that in all likelihood you have never ever turned in a totally error free manuscript for publication in your entire working life, due to time and business constraints. That being the case, the editor’s credo should be more haste, less speed. Maybe you need to stop thinking about how many other writers are waiting for your services, along with how much money you charge and concentrate on presenting a quality product for publication instead. Just a thought…

Why am I bringing this to your attention as editors and writers? Simple. When a member of the general public reads and reviews a book, their opinion (which is all any review is when you think about it) won’t necessarily be about its content or subject matter. More than likely these days what it will be about are the mistakes the reader found, or thought they had.

For instance – quite often anyone who is not an American writer will be taken to task for what some Americans see as misspelt words. To them I will only say this – apart from American English (which bares little or no resemblance to the original – English English), there is also Canadian, South African, New Zealand, Australian and Indian English. To my knowledge they are the main branches of the language. Each form of the language tends to spell some words differently.

Getting back to the general public – will they blame the publisher for any mistakes found in any given book? No. To the average reader, publishers and their editors don’t make mistakes, which of course is total baloney! They’re human just like the rest of us, despite believing they are a cut above humanity in general!!!

Instead you will find that to the reader’s way of thinking, the fault lies wholly with the writer. Once again many readers cannot seem to appreciate that all you did was write the story, employing someone to edit it for you. If you as the writer are to be blamed for anything, it’s thinking that once you have written the manuscript – that’s it, job done. Wrong! Never let your editor get away with too much by not picking them up on those inevitable mistakes. Like you they’re not infallible. Between the two of you, errors should be eliminated.

Here’s a thought – if you want to improve your image as a writer, learn to edit. While your at it, employ beta or copy readers. Personally I do both. With each book I write, the number of errors has dramatically reduced. For instance, my novella Cataclysm, written last year, literally only has one very minor error – a space between quotation marks and the first letter of the first word in a sentence. If I can do my level best to eliminate all errors as a self-published writer, so can the editor you are employing.

Am I going to fix it? No. That way the author hating internet trolls, grammar nazis, literary snobs, and other assorted self proclaimed experts such as pedants and armchair critics will still be able to appear smug when writing their inevitable caustic reviews of it. You just can’t please people like that. So don’t even try. Don’t be put off over attempting to edit. It’s not that difficult. Like anything else, all it takes is time, patience and application, as well as a damned good command of the English language.

Remember this – It doesn’t matter what we do as writers, if we make use of professional support and it is less than satisfactory, we’re sunk!

😉

Of Words And Other Things

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How much wood could a woodchuck chuck
If a woodchuck could chuck wood?
As much wood as a woodchuck could chuck,
If a woodchuck could chuck wood.

If you are of a certain age, chances are that you learnt that tongue twister in primary school, just as I did back in the nineteen-fifties. It is a perfect example of the overuse of specific words, even though in this case it’s just a fun thing for kids to learn and to attempt to recite.

Many emerging writers tend to rely on a limited vocabulary, even though most words have perfectly acceptable alternatives. How many times have you seen specific words endlessly repeated in the first book written by a new writer? Either that, or their incorrect versions.

Chances are you will come across examples of words when writing, which while sounding similar when used in actual conversation between two people, are completely wrong in a given instance within any piece of writing.

Note to self – hmm, a lot of words beginning with ‘w’ in that last sentence. Must watch that. Damn, there’s another one!

If you want an example of similar sounding words think about there, they’re and their. They all sound exactly alike. But in each instance they have a totally different meaning. Even simple words we all use such as and, can and do become seriously overused by most writers. I’m no different in that regard. I’ve even been known to start a sentence with it on occasion, for example the one word question – “And?” But only during a conversation between some of my characters.

What I’m about to say, I’ve said in previous posts here on my blog. But just for you, here it is again – once you have written that first draft, go back over it many times during its edit phase. Make sure that one of your editing sessions is solely dedicated to deliberately finding alternatives of those words you are so fond of using.

How? Use the synonym function incorporated into your writing software in conjunction with a dictionary and thesaurus. Even better, why not rewrite certain sentences using completely different words, that convey the same meaning as the original one?

Before some of you feel an attack of righteous indignation coming on, and are thinking of going on the offensive, I am fully aware that I have used several words in this post more than once. In this instance I am completely justified as I’m merely pointing out that every one of us needs to pay heed to the way we write.

In short folks, do your darndest to avoid using certain words too often. Damn, there are two more – your and you’re, to and too. Allowed is yet another example of a word that sounds the same when spoken even when spelt differently. Its cousin aloud has a completely different meaning. The list is endless. Is it any wonder that so many people find the English language hard to come to grips with?

***

Next, I would just like to point out something to all of the various types of literary cowards who insist upon hiding behind pseudonyms, such as a number of the armchair critics, pedants, grammar nazis, literary snobs etc, who inhabit the darker recesses of the Internet, each of them purporting to know far more about the written word than most writers. None of us likes a smart arse who deliberately sets him or herself up as a critic.

To all of the above – I can only surmise that what you appear to be suffering from is the literary equivalent of penis envy. Remember this, apart from being counterproductive, jealousy tends to feed on itself. Never forget that. It’s the only reason I can think of for why you deem it absolutely necessary to be so vicious towards not only the newcomers, but also seasoned writers, whether Indie or traditionally published?

First of all, may I suggest that you get over yourselves. Secondly, instead of endlessly criticising new and seasoned writers, by issuing those interminably boring, often repetitious one and two star reviews you are so fond of placing in the public arena, in your pathetic attempts to destroy a writer’s reputation, as some of you still tend to do on Goodreads and Amazon (you know who you are), why not actually try to write a book yourself. Maybe you already have, which probably accounts for the way you behave. But go on, give it another try. Far better to occupy your time by writing a book. Once you do, prepare yourselves for when it is torn to shreds by your fellow trolls. In other words, I’d think long and hard if I were you before you feel the overwhelming desire coming on, to rubbish someone else’s work.

Like most writers, I always refrain from reviewing some books, especially those written by new writers, if they did not succeed in gaining my full attention by drawing me into the story. Believe me when I say that it’s always better to do that, rather than to publically condemn, and by definition, earn yourself a reputation as yet another vicious troll. If I ever feel the need to offer criticism, its usually in the form of advice done privately, well away from the gaze of the general public, either by email or when chatting to writers on Facebook.

You should try doing the same…

Well that’s enough for today. It’s back to my current W.I.P.

😉

It Helps If You Are Completely Bonkers

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Vain, selfish and lazy? Speak for yourself Eric Blair aka George Orwell. Most writers I know are none of those things. These days the only people you will come across like that are certain editors and literary agents as well as some professional critics. The latter category, especially the odd one or two who write for newspapers and literary magazines here in the UK, can definitely be said to be vain and selfish. To those two unsavoury qualities I would add a few others – condescending, snobbish, scathing and vicious, particularly when it comes to one leading newspaper’s literary critic and his deep loathing of Indies. Compared to him, internet trolls are rank amateurs.

As for the rest of what Eric is quoted as saying – writing is a long exhausting struggle, like a long bout of some painful illness, he’s perfectly correct. It is. With a few exceptions, I seriously doubt that anyone who reads books has the faintest notion of what we go through when writing one. Blair was also right when he said that – one would never undertake such a thing if one were not driven by some demon whom one can neither resist, nor understand.

In my own case, what drives me to write is not so much a demon as the burning desire to share a story with you the reader. So the next time you read any book, whether you liked it or not, ask yourself what kind of hell did the author of this book put themselves through when he or she wrote this? How many sleepless nights did they suffer to bring the story to me? How many times were they afflicted with the one problem all writers suffer from on a fairly frequent basis – writer’s block?

As if all of that wasn’t enough for the writer to contend with, there are the endless attacks by internet trolls. In some cases they are actually disgruntled fellow writers who are seriously annoyed that people buy, like, and praise your work while shunning theirs. Some trolls are nothing more than malicious individuals hiding behind pseudonyms, thriving on hate while hoping that you will react, judging by their often incomprehensible one star reviews.

Do I still want to write for a living? Hell yes, even though it often drives me to distraction. Once you have been bitten by the writing bug, everything else in your life apart from writing posts like this, and chatting to readers and friends on Facebook, rapidly vanishes into the distance.

You heard it here first folks. It helps if you are completely bonkers with a masochistic streak when it comes to writing.

😉

Why does the book I’m reading seem familiar?

477-197-2012-12-10967858Unusually for me, this post is a long one, (over a thousand words). So please bear with me and read it in its entirety. If you are a writer, the subject matters. Thank you.

***

When it comes to the way you write, how original are you? These days so many of the books on offer sadly lack originality. Sometimes while reading a new book, if it’s got our attention, and we’re not drifting off bored out of our minds with the book about to fall from our hands, we say to ourselves, “wait a minute, this book reminds me of something I read about X recently. In fact I’d swear its almost a carbon copy of a newspaper report I read a few months back.” This is not necessarily a bad thing. Often newspaper and magazines articles spark an idea. But using the article in its entirety might be seen by a court of law as a case of blatant plagiarism, in other words copying large amounts of someone else’s work, claiming it as you’re own. This is just one aspect of the lack of originality these days.

Being original hardly seems to matter to a lot of today’s crop of writers, whether Indie or establishment. Many simply don’t bother, preferring to churn out whatever is currently popular, or trendy. Far too many writers are tempted to follow a formula, such as in the often tasteless pot boiler love stories, or totally predictable horror and crime stories that flood the world’s bookshelves. Take it from me when I say to you, leave that kind of writing to ghost writers paid by the word. It may be popular, but it hardly taxes the reader’s brain, plus it does your reputation as a writer no good at all to be associated with this kind of book. Remember, you will always be judged by what you write and as a consequence, either be written off, or accepted. You must rise above the mob. Not an easy thing to do.

In the case of the establishment writers, if they wish to remain employed, in a growing number of cases, what they write is largely dictated by what their publishers want. What a boring existence.

Recently a good friend of mine in the US plucked up the courage to submit her excellent fantasy novel – A Ranger’s Tale to a site called The Review Board to have it scrutinised, and to have fair minded reviews written about it. One particular reviewer stated that, “I have a few niggles about originality and character motivations, but nothing that prevented me from getting embroiled in the conflict.”

Another reviewer said, ” this story has several familiar elements throughout,” listing the following to show exactly what they meant: World of Warcraft for time setting purposes, Final Fantasy IX (for time setting purposes, as well as the cast of colorful characters reminiscent of those in the story), Star Wars (for certain story elements, not the futuristic aspect), and Coming to America (specifically, Calliphany’s parents). Unlike a lot of the reviewers on Amazon, who delight in destroying a writer’s confidence with their often vicious one star reviews, the reviewers on this site offered constructive criticism married with largely positive comments.

I have had one of my books – The Forgotten Age likened to an Indiana Jones adventure by one reviewer on Amazon under the heading Indiana Jones on Fast Forward!  Why she came up with that notion is beyond me, when I know that the reviewer in question is totally familiar with my work and knows full well that unlike most writers these days I strive for originality.

In the twenty years I have been writing, the very thought of including elements from films, television and computer games, even someone else’s book, as sources for ideas has never consciously entered my mind, while writing any of my books. In fact if I find myself writing a specific passage in any of my books in such a way, I immediately delete it.

Yes, I grant you a lot of my books do have what seem like similar historical elements in them. They are drawn from the writings of the people responsible for recording them several millennia ago.

On occasion I have even been known to write a fiction around a popular belief, like my book The Seventh Age where I used the notion totally believed by many New Agers, particularly in the US, about the Mayan calendar and the assumption that because it ended in 2012, the world as we know it was about to end, even though the Mayans never made such a claim. Needless to say it sold in its tens of thousands among the New Agers during 2012 and 2013. It still sells today along with my other books. Why? Because each one is an original, not the product of plagiarism.

For a while there, thanks to the popularity of Seventh Age, I thought I had finally arrived in this unforgiving world of words, when it easily passed twenty-five thousand copies sold. At that point I stopped counting. But it wasn’t to be. Even so, it was a nice feeling while it lasted.

If you can, be strong. Strive for originality. If you check out my list of books you will see that they number just seven, six of which are currently available. Not a large number by anyone’s standards. But then again, writing a book wholly new in every sense of the word to the market, is never an easy task. Which is possibly why so many writers cop out…

Always write the kinds of stories that you would like to read, not what the majority want. It might take you a while but you will always find a readership providing you stick to your guns.

Having said that, remember that nothing is new, only rediscovered. Wait a minute, I read that somewhere? Oh yes I remember, I wrote it in my recent post Is Science Fiction a Nineteenth or Twentieth Century Phenomena?

See what I mean about originality?

PS – If you are thinking of offering one of your books to The Review Board, forget it. They are booked up solid for the next two years.

PPS – I’m just waiting for some ignoramus to say that my fantasy anthology about five thoroughly likeable goblins –  Goblin Tales, is somehow Tolkienesque and therefore not original…

😉

Answer Me This If You Can

Editor

Editor at work – Yeh right!

For as long as I’ve been writing full time (since 1995), one aspect of our chosen career path has always bothered me. We all know that writers in publishing house stables are expected to apply all the corrections that their editors deem necessary. More fool them!

Why should Indies suffer this totally illogical practice as well? For many, myself included, we parted company with traditional publishing to get away from this less than satisfactory aspect of the writing game, and the often dictatorial way in which publishers rule over their writers, amongst other things.

I’ve given up counting the number of times I’ve heard fellow Indie’s complain about their editors, and the hard won money they’ve spent on their sometimes dubious services.

If you take the sensible decision to go it alone and self edit, you’ll soon find any errors and correct them. Whereas if you pay for an editor’s services, while they give the impression of doing a so-called professional job, what do they actually do for their often exhorbitant fee? Not enough! They only do half a job, then send it back to you to do the rest. What’s the point of that? A writer can do it all themselves and for no cost to them except time.

Yes your editor will tell you that they have judiciously gone through your manuscript, purportedly working their way through your story word by word, line by line, paragraph by paragraph, picking up on bad grammar, spelling mistakes, incorrect punctuation, plus suggesting you change this or that aspect of your story as if it was them who wrote the darned story in the first place, so that when pedants, armchair critics and literary snobs challenge you (and believe me they will), you can honestly say that your work was professionally edited.

Big deal!

Logic dictates that if someone is employing you as an editor to find all of the errors, that once found, you should correct them yourselves, not send the manuscript back to the writer to do your job for you! Otherwise, what’s the point of employing you in the first place. If a writer does the sensible thing and sends their manuscript to a few dedicated beta readers, hopefully they will point out any and all errors for free!

Remember this, no book is ever perfect. Even the very best editors employed by the major publishing houses will miss the minutiae, after all they are human just like the rest of us. Paying for an editor’s services, as they stand at the moment, is a waste of money. Before you even begin to show a profit from the sales of your books, you have to recoup your financial outlay first, ie, editing, layout, cover design. From a financial point of view its far better that you do it all yourself. Thinking about it, so-called professional editors are little more than failed writers.

If you are a truly dedicated Indie writer, don’t think that once you have written your manuscript that you have finished. You haven’t. Your work has only just begun. Above all don’t fall into the trap that your manuscript need the services of a paid ‘professional’ editor. It doesn’t. If you are any damned good, you will do it yourselves!

Here endeth today’s lesson…

😉

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