High Praise Indeed!

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Bernard Cornwell OBE

The other day following the first Amazon review of my latest work Autumn 1066, its author Sally Cronin paid me the ultimate compliment in one of her comments below the post, comparing me to one of today’s finest writers of historical fiction – Bernard Cornwell OBE.

These days for most lovers of historical fiction on television, while they may not know, or care, who is responsible for the original works of fiction which television series are based upon, even the mentally challenged among them will at the very least be familiar with two of Bernard’s best known fictional heroes – Richard Sharp (Sharp’s Rifles) and Uhtred of Bebbanburgh (The Last Kingdom).

When it comes to Indie writers like myself, most of us count ourselves lucky that what we write is not immediately  panned, or heavily criticised by the army of armchair critics, pedants and literary snobs lying in wait for the next book written by one of us. Which is precisely the reason why I deliberately published my latest effort as a paperback only. Most attacks only occur when an Indie’s book is only available as an ebook (preferably free).

When someone does dare to speak up for a book written by an Indie, it makes an extremely rare and pleasant change. So now all I have to do is hope and pray that Autumn 1066 becomes a best seller, while I search for another moment in history to write about, probably once again from the Dark Ages, starting in a few month’s time.

PS – one of my favourite books was written years ago by Bernard – Stonehenge 2000BC. As I recall it was heavily criticised as being sluggish, boring and long-winded, which by the way it isn’t. But then again, what can you expect from utterly ignorant individuals who wouldn’t know a good book when they see it?

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Sally Cronin’s review on Amazon

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on May 18, 2017
Format: Paperback

I was gifted a copy of the book by the author in exchange for an honest review.

This novella may be a short read, but it so packed with authentic detail and action, that you feel you are reading a much longer book.

Our heritage is founded on the backs of ordinary men such as Aldred and his nephew Cynric pressed into service as were thousands of farmers and craftsmen who were sworn to the feudal Anglo-Saxon lords. The story is factual but told through the eyes of these two fictional characters as warring armies battle to gain control of Britain.

One army is led by the barbaric King Harald of Norway or Hardradå as he is known by his men. He has formed an alliance with the Anglo-Saxon Tostig, claimant to the throne, now held by his brother King Harold, following the recent death of Edward the Confessor. This invasion force has the backing of Duke William of Normandy who has made promises to Tostig should there be victory.

With all the various factions identified, the story then takes us through the build up of forces led by the Norwegian king in southern Scotland, the defeat of the army entrenched in York and the significant and decisive victory by the forces of King Harold at Stamford Bridge.

This leads to the battle that was to change the life of every man, woman and child in Britain on October 14th 1066.

The main characters are portrayed vividly, and their backgrounds and involvement in this pivotal time in history, demonstrate how human traits such as greed, revenge and jealousy leads to the deaths of thousands who follow them.

The battle scenes and the acts of barbarism are very realistically portrayed both through the eyes of Aldred and Cynric, as well as those leading the various forces. The action maintains its pace throughout the story and Jack Eason has recreated the terrifying and brutal results of hand to hand combat and archery.

This was a dark time in our history and 1066 was a turning point for a Britain about to move into the Middle Ages, Jack Eason has captured this moment excellently.

If you enjoy a fast paced story and historical accuracy then I recommend you read 1066.

Now, thats what I call a balanced review. Thank you Sally.

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Announcing the release of Autumn 1066

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Down the centuries the British Isles has always been seen by invaders as a legitimate target for exploitation. This novella concerns the last few weeks of  Anglo-Saxon occupation, ending on the 14th of October, 1066.

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At long last my historical novella Autumn 1066 (paperback only) is now available for purchase.

Please take note of the following number:- ISBN-13: 978-1546685302.

First of all, may I suggest that you order your copy directly from CreateSpace by inserting the above ISBN number when looking for it. Ordering directly from the printer is by far the cheapest purchasing option.

I ordered six copies to give to my friends at US$2.15 each as opposed to US$5.38 each on Amazon US, and UK£4.17 on Amazon UK. The CreateSpace price for my latest book works out at roughly what you pay for the average ebook these days. Which makes it value for money, I’m sure you will agree…

Buying from CreateSpace is a no-brainer in my book!!!

Of course if money is no object, you can always order it from your nearest Amazon outlet. Here are the links for Amazon’s two main outlets:-

AmazonUS

AmazonUK

Unfortunately, the one thing you cannot do on CreateSpace is post a review. That can only be done at Amazon sites. Here’s hoping that you enjoy reading the novella. If that is the case, do please post a review on Amazon.

PS – Are you one of those strange individuals who do not believe in ordering anything online? In that case, write down the title and the above ISBN number together with CreateSpace’s link – https://www.createspace.com/. Then head off to your local bookshop armed with all the information, and tell them (don’t ask) to order a copy for you…

Enjoy…

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Thinking Fiction: What Novels Do Fiction Editors Read?

Wonder about it no longer…

An American Editor

by Carolyn Haley

In follow-up to my survey about what editors in general read for recreation (What Do Editors Read?, I invited fiction editors to share their Top 10 favorite novels, along with something about their background and experience.

Thirty-two editors responded, comprising freelancers plus one cluster of staff and contract editors for a single romance publisher. No one working for a Big 5 traditional publisher participated, giving unbalanced results. However, I wasn’t attempting a rigidly scientific survey of the total editorial population. As with my first survey, I just wanted to satisfy my curiosity about what other editors read, and to share their recommendations for our collective enjoyment. The complete list, owing to length, is posted separately from this essay on the file downloads page at wordsnSync as “What Fiction Editors Read: List of Titles”.

Note that not every responding editor answered every question in…

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